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Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
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Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560

  • This stoneware jug is an early example of brown salt-glazed pottery, known as "tigerware"
  • Features intricate silver gilt mountings, including grotesque masks, lush fruits and acanthus leaves
  • Very few of these period vessels have survived the ravages of time
  • A similar jug is part of the Victoria and Albert Museum collection
  • Get complete item description here
$29,850
Item No. 31-9377

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Description
Tigerware Jug
Hallmarked London, 1561

This exceptionally rare circa 1560 stoneware jug showcases the distinctive craftsmanship of Elizabethan silver and brown salt-glazed pottery, known as "tigerware" by the Elizabethans. This type of pottery earned its name due to a misconception, popularized by the literary figure William Caxton, that tigers had spotted fur. The finest of these jugs, like this very example, were decorated with ornate silver gilt mountings, elevating the time-honored tradition of drinking. . .
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Tigerware Jug
Hallmarked London, 1561

This exceptionally rare circa 1560 stoneware jug showcases the distinctive craftsmanship of Elizabethan silver and brown salt-glazed pottery, known as "tigerware" by the Elizabethans. This type of pottery earned its name due to a misconception, popularized by the literary figure William Caxton, that tigers had spotted fur. The finest of these jugs, like this very example, were decorated with ornate silver gilt mountings, elevating the time-honored tradition of drinking beer and ale. They are considered the forerunners of the Elizabethan tankard and were commonly seen on the tables of wealthy families.

This jug, notable for its petite and pleasing proportions, was likely intended for the lady of the house. The footing is adorned with a small dental motif, and an engraved moresque pattern of leafy vines encircles the neck. The vox atop the handle conceals a hinge, allowing the cover to be raised and lowered. As is typical of early tigerware jugs, the cover is more ornately decorated than the lip mount, featuring masks surrounded by lush fruits and vegetables. Layered under the baluster finial are acanthus leaves, a design element first used in Greek monumental architecture and adopted into various styles since. A whimsical detail can be found on the thumbpiece, which features a mermaid wearing a Dutch-style hat.

Very few of these period pieces have survived the ravages of time. During the English Civil War (1642-1651), most of the exquisite silver items that once adorned the tables of the wealthy and graced royal courts were destroyed. Today, surviving examples of pre-Oliver Cromwell (d. 1658) English silverwork are among the rarest and most sought-after items, each one a museum-quality discovery. A similar jug is housed in the Victoria and Albert Museum in London. The collar and cover are both marked, with the set of marks inside the cover being particularly crisp, showing little wear. The maker, who used the bird’s claw mark, was active throughout the 1560s. 

7 1/4“ high x 4 1/2” wide x 4“ deep 

Provenance:
Mrs. C.I. Masterson, Pettings Court, Wrotham, Kent
Christie’s London, 7 November 1945, lot 95
Private Collection
M.S. Rau, New Orleans
Red McCombs Collection, Texas
M.S. Rau, New Orleans
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Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
Period: Pre-17th Century
Origin: England
Type: Tankards/Mugs/Canns
Style: Elizabethan/Jacobean
Depth: 4.0 in. (10.16 cm)
Width: 4.5 in. (11.43 cm)
Height: 7.25 in. (18.42 cm)
Elizabethan Tigerware Jug with Silver Gilt Mountings, Circa 1560
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Buy with Confidence

At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.

Learn More

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The M.S. Rau Difference

The M.S. Rau Difference

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M.S. Rau is committed to offering fine art of the highest caliber and we seek paintings and sculpture by historically renowned artists, often with impressive provenance. The large majority of our works of art come from private collections; many are fresh to the market. Founded on Bill Rau’s expertise in the field, our specialisms range from Old Master pictures to Modern Art masterpieces. We regularly exhibit Dutch, Flemish, and Italian Old Masters, Academic, Orientalist, Barbizon, Impressionist, Post-Impressionist, Maritime & Sporting, British Neoclassical and American Illustration.

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For more than a century, M.S. Rau has offered clients a superb selection of the highest quality jewelry. From the rarest colored diamonds, to the most sublime gemstones, to the most exquisite designer jewelry, M.S. Rau houses an extraordinary collection of fine jewels to satisfy the most discerning collector. Stunning creations by Tiffany & Co., Cartier, Van Cleef & Arpels, Harry Winston and Patek Philippe are offered alongside extreme rarities such as vivid yellow, pink and blue diamonds, coveted Burma and Kashmir sapphires and elusive Golconda diamonds prized for their fire and perfection. Iconic jewels from the Art Deco, Edwardian, Art Nouveau and Victorian periods round out the collection.

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Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the. . .

Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the world’s most extraordinary and beautiful treasures has remained steadfast and our acquisition philosophy is simple: seek out and acquire only the very finest works whose provenance, beauty and rarity set them apart from all others. Our clients can be certain that each and every piece in our gallery has been hand-selected and carefully vetted for authenticity, condition and provenance. And, because our network of contacts spans generations, we are often able to acquire pieces that may have otherwise never been available on the market.

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