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George I Silver Muffineer by Charles Adam
George I Silver Muffineer by Charles Adam
George I Silver Muffineer by Charles Adam
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George I Silver Muffineer by Charles Adam

  • This exceptional 18th century silver muffineer was crafted by the renowned silversmith Charles Adam
  • Muffineers for sprinkling sugar were essential elements of a Georgian formal dining service
  • The silver is engraved with the distinguished coat of arms of the Earl of Harcourt
  • Adam specialized in making muffineers or casters
  • Get complete item description here
$4,950
Item No. 31-9247

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Description
Silver Muffineer
Charles Adam
Hallmarked London, 1714

This exceptional George I silver muffineer by renowned silversmith Charles Adam is a fine example of early 18th-century craftsmanship. The silver features a baluster form with an elegantly repoussé waistband and rests on an inset domed circular foot. Its high-domed, pierced lid is surmounted by a double ball finial, while the item is engraved with the distinguished coat of arms of the Earl of Harcourt.

Muffineers,. . .
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Silver Muffineer
Charles Adam
Hallmarked London, 1714

This exceptional George I silver muffineer by renowned silversmith Charles Adam is a fine example of early 18th-century craftsmanship. The silver features a baluster form with an elegantly repoussé waistband and rests on an inset domed circular foot. Its high-domed, pierced lid is surmounted by a double ball finial, while the item is engraved with the distinguished coat of arms of the Earl of Harcourt.

Muffineers, like this one, were essential elements of a formal dining service by the early 18th century, especially during the dessert course. They are castors specially made to sprinkle sugar, nutmeg, ginger and other fine spices over delicacies. Silver gilt pieces were particularly popular for this purpose, elevating both the presentation and the flavor of the meal’s final offerings. This castor’s intricate details and noble provenance reflect the importance of such items in early Georgian dining traditions.

Charles Adam, apprenticed to Francis Archbold in 1682, became a free silversmith in 1689 and entered his own mark in 1703. Adam specialized in making casters. He trained Thomas Bamford, who later became the master of Samuel Wood and continued the tradition of caster-making.

8 1/4" high x 3 1/4" diameter
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George I Silver Muffineer by Charles Adam
Period: 18th Century
Origin: England
Type: Other
Style: Georgian
Depth: 3.25 in. (8.26 cm)
Width: 3.25 in. (8.26 cm)
Height: 8.25 in. (20.96 cm)
George I Silver Muffineer by Charles Adam
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George I Silver Muffineer by Charles Adam
Georgian Silver

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Buy with Confidence

At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.

Learn More

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The M.S. Rau Difference

The M.S. Rau Difference

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For more than a century, M.S. Rau has offered clients a superb selection of the highest quality jewelry. From the rarest colored diamonds, to the most sublime gemstones, to the most exquisite designer jewelry, M.S. Rau houses an extraordinary collection of fine jewels to satisfy the most discerning collector. Stunning creations by Tiffany & Co., Cartier, Van Cleef & Arpels, Harry Winston and Patek Philippe are offered alongside extreme rarities such as vivid yellow, pink and blue diamonds, coveted Burma and Kashmir sapphires and elusive Golconda diamonds prized for their fire and perfection. Iconic jewels from the Art Deco, Edwardian, Art Nouveau and Victorian periods round out the collection.

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Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the. . .

Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the world’s most extraordinary and beautiful treasures has remained steadfast and our acquisition philosophy is simple: seek out and acquire only the very finest works whose provenance, beauty and rarity set them apart from all others. Our clients can be certain that each and every piece in our gallery has been hand-selected and carefully vetted for authenticity, condition and provenance. And, because our network of contacts spans generations, we are often able to acquire pieces that may have otherwise never been available on the market.

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