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Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
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Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
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Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler

  • This regulator clock is an absolute wonder of horological artistry
  • The complicated timepiece was crafted and signed by French clockmaker Jean-Aimé Jacob
  • The case is attributed to Adam Weisweiler, one of the foremost ébénistes of the Louis XVI period
  • Few regulator clocks were ever made, as evidenced by the small number of specimens that exist today
  • Get complete item description here
$248,500
Item No. 31-3803

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Description
This important regulator clock beautifully demonstrates the heights of precision clockmaking. While regulator clocks are known for their incredible accuracy, this timepiece is truly exceptional in its mechanical proficiency. Crafted and signed by Jean-Aimé Jacob, one of the most important French horologists of his age, the clock features a weight-driven movement with a deadbeat, or “Graham” escapement, the most accurate escapement that is still used to this day. Its ingenious construction eliminates the recoil, and. . .
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This important regulator clock beautifully demonstrates the heights of precision clockmaking. While regulator clocks are known for their incredible accuracy, this timepiece is truly exceptional in its mechanical proficiency. Crafted and signed by Jean-Aimé Jacob, one of the most important French horologists of his age, the clock features a weight-driven movement with a deadbeat, or “Graham” escapement, the most accurate escapement that is still used to this day. Its ingenious construction eliminates the recoil, and therefore the inaccuracy, of the more common anchor escapement.

While most regulator clocks were created purely for function rather than aesthetics, this timepiece is set apart by its equally important case. Crafted of rare plum pudding mahogany, the case is attributed to the atelier of Adam Weisweiler, one of the foremost ébénistes of the Louis XVI period. The German-born cabinetmaker is best remembered for his neoclassical creations that were beloved by the French court, including Queen Marie-Antoinette, the king of Naples and England's Prince Regent (later George IV). Not only did he use the finest of materials, but his craftsmanship also showed a remarkable level of precision and proportion that is perfectly displayed in this clock case. The incorporation of ebony and gilded accents is also typical of his work, and here both materials beautifully complement the rich texture and mottled finish of the plum pudding mahogany.

After his retirement, his son Jean oversaw Weisweiler’s atelier until 1844. This clock case typifies the ebony and gilded neoclassical aesthetics made popular by his father that prevailed during the last decades of the Ancien Régime. Today, Weisweiler’s furniture can be found in all of the most important museums around the world, including the Metropolitan Museum of Art (New York), the J. Paul Getty Museum (Los Angeles), the Royal Collection Trust (London), the Museum of Fine Arts (Boston), the Philadelphia Museum of Art and many others.

Once primarily found in prominent public and government buildings, regulator clocks have been the most accurate of the weight-driven clocks since their inception in the mid-18th century. Because of the expense to create them and their primary duty of being the keepers of time by which other clocks would be calibrated, relatively few regulator clocks were ever made, as evidenced by the small number of antique specimens that exist today. This fact, in conjunction with its incredible mechanism and overall workmanship, makes this regulator a true mechanical marvel.

Circa 1830

22 3/4" wide x 12 5/8" deep x 84 1/2" high
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Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler
Period: 19th Century
Origin: France
Type: Longcase/Grandfather
Depth: 12.63 in. (32.07 cm)
Width: 22.75 in. (57.79 cm)
Height: 84.5 in. (214.63 cm)
Buy with Confidence

At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.

Learn More

The M.S. Rau Difference

The M.S. Rau Difference

The M.S. Rau Difference

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M.S. Rau is committed to offering fine art of the highest caliber and we seek paintings and sculpture by historically renowned artists, often with impressive provenance. The large majority of our works of art come from private collections; many are fresh to the market. Founded on Bill Rau’s expertise in the field, our specialisms range from Old Master pictures to Modern Art masterpieces. We regularly exhibit Dutch, Flemish, and Italian Old Masters, Academic, Orientalist, Barbizon, Impressionist, Post-Impressionist, Maritime & Sporting, British Neoclassical and American Illustration.

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For more than a century, M.S. Rau has offered clients a superb selection of the highest quality jewelry. From the rarest colored diamonds, to the most sublime gemstones, to the most exquisite designer jewelry, M.S. Rau houses an extraordinary collection of fine jewels to satisfy the most discerning collector. Stunning creations by Tiffany & Co., Cartier, Van Cleef & Arpels, Harry Winston and Patek Philippe are offered alongside extreme rarities such as vivid yellow, pink and blue diamonds, coveted Burma and Kashmir sapphires and elusive Golconda diamonds prized for their fire and perfection. Iconic jewels from the Art Deco, Edwardian, Art Nouveau and Victorian periods round out the collection.

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Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the. . .

Since 1912, M.S. Rau has been recognized as a leader in the antiques industry and today our collections of rare silver, furniture, clocks, porcelain, glass and objets d'art are second to none. Our commitment to curating the world’s most extraordinary and beautiful treasures has remained steadfast and our acquisition philosophy is simple: seek out and acquire only the very finest works whose provenance, beauty and rarity set them apart from all others. Our clients can be certain that each and every piece in our gallery has been hand-selected and carefully vetted for authenticity, condition and provenance. And, because our network of contacts spans generations, we are often able to acquire pieces that may have otherwise never been available on the market.

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