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Learn MoreTête de mannequin by Erté
- This drawing from Erté shows the artist's ability to push the boundaries of cosmetics
- The figure's hair is rendered as a multicolored pattern in silver and black
- Erté finishes the look with bold strokes of eyeliner for the eyes and brows
- The artist is remembered as the "Father of Art Deco" for his incomparable impact on the era
- Get complete item description here
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1892-1990 | Russian-French
Tête de mannequin
Signed “Erté” (lower right)
Inscribed “No. 1744 / Deuxième aspect de la tête de mannequin # 1742" (en verso)
Silver and black pencil on paper
Erté’s Tête de mannequin offers a tantalizing glimpse of the artist's ability to push the boundaries of fashion through cosmetics. Erté renders the figure's multihued hair with a unique spotted pattern, accented by the metallic shine of. . .
1892-1990 | Russian-French
Tête de mannequin
Signed “Erté” (lower right)
Inscribed “No. 1744 / Deuxième aspect de la tête de mannequin # 1742" (en verso)
Silver and black pencil on paper
Erté’s Tête de mannequin offers a tantalizing glimpse of the artist's ability to push the boundaries of fashion through cosmetics. Erté renders the figure's multihued hair with a unique spotted pattern, accented by the metallic shine of his silver pencil. Quintessentially modern, Erté finishes the composition with bold strokes to accentuate the figure's eyes and eyebrows.
Paris in the Art Deco era stood at the crossroads of tradition and modernity, establishing itself as a global epicenter of art, literature and intellectual thought. Amidst the echoes of World War I, avant-garde movements like Surrealism and Cubism intermingled with jazz melodies wafting through the city’s smoky salons. As cocktails flowed, intellectuals, writers and artists from around the world found themselves drawn to the cosmopolitan allure of Paris. Erté, with his revolutionary costuming and otherworldly sets, was perfectly poised to unleash his creativity. He worked with many of the city’s premier entertainment venues, and his striking visuals, full of bold patterns and vibrant colors, came to define the modernity of the era.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1930
Paper: 8" high x 6 1/2" wide
Frame: 17 1/4" high x 14" wide x 5/8" deep
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Maker: | Erté |
Period: | 1919-Present |
Origin: | France |
Type: | Drawings |
Style: | Art Deco |
Depth: | 0.75 in. (1.91 cm) |
Width: | 14.0 in. (35.56 cm) |
Height: | 17.25 in. (43.82 cm) |
Canvas Width: | 6.500 in. (16.51 cm) |
Canvas Height: | 8.000 in. (20.32 cm) |
At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn More